The art of shape shifting
December 28, 2012 Leave a comment
Taking care of bid-ness: Spafford headlines the New Year’s Eve show at the Orpheum, which also includes the Haymarket Squares, Diamond Down String Band, Chuck Cheesman. Courtesy photo
Since originating three and a half years ago, Spafford has jammed their way to success and now find themselves at a pivotal moment for many up-and-coming musicians. Their humble origins are still an arms length behind them, but they are being irrevocably hurled forward into the exciting lights and flashes of fame.
When they began they were no more than open mic night participants at a bar, but seemingly have grown into their name and let their electrified jam funk-rock music speak for itself.
It has been a journey for this Prescott-based group, and thanks to a gig last year where they played for hundreds of people at the Hard Rock Café in Las Vegas, the days of open mic nights for the four-man band are a thing of the past.
“Last November marked our first really big show,” says Chuck Johnson, Spafford’s lighting director. “We had never played in front of more than 75 people and all of a sudden we were opening for Particle at the Hard Rock in Las Vegas. At that point we all kind of realized we could do this.”
Johnson recounts the hard work that guitarist-vocalist Brian Moss dedicated to getting the group into that show and how much it paid off for Spafford in their early stages. From huge venues in Las Vegas to later feature performances in festivals like McDowell Mountain Music Festival, Spafford tasted their first bit of fame and set their sights on the future.
As a relatively young band, Spafford’s members are humbled by the origins and history they share together. Johnson met Moss and bassist Jordan Fairless while they were all living in Prescott. It was this early-on friendship that officially marked the start of Spafford. The three bonded over their love for music and the drive to see what they could do with it.
“My middle name is actually Spafford,” Johnson says. “Originally, during the days of open mic nights, it was only Brian and Jordan. And when they got up on stage, the announcer couldn’t pronounce their name. I remember Brian looking at me in the audience and saying, ‘We’re Spafford’ and it just stuck.”
With a name under their belt, Spafford was inducted into the professional world of jam rock and took off from there.
At the time, Fairless was on drums and after sorting through other bassists the group met drummer Nick Tkachyk. The fit seemed destined, so Fairless made the switch to bass as Tkachyk stepped into the drummer’s seat. Soon after, they found Andrew “Red” Johnson who filled the role of keyboardist and Spafford was officially formed.
With members in place, the band began their whirlwind of music making and jam spreading.
“It started as smaller bar gigs,” Johnson says. “But people loved it and soon started following them around Arizona trying to get to every show.”
The stepping stones were laid and Spafford was ready to walk the road. With a growing fan base, the group found themselves learning more and more about each other and how to communicate with their audiences on a different plane. This is what they refer to as the art of the “jam.”
They place an emphasis on knowing each other and knowing music. They approach each show with a single goal: to jam and get people to feel it. Their priority is live music and the originality that comes from their interactions with each other as well as the audience.
“The art of the jam is being able to have free expression,” Moss says. “We don’t communicate through headsets, we just go. Somebody takes the lead and we follow, and that’s why you can listen to one of our songs and find 15 different versions of it. It’s like a snowflake: never the same. So maybe we’re a snowflake band, not a jam band.”
Moss chuckles as he tries to explain the bliss of jamming and creating spontaneously. No song of Spafford is ever exactly the same and they pride themselves on that.
“You let the music go where it goes,” Moss says. “When you get a chance to look at the people, their eyes are closed. And then you close your eyes, and it doesn’t feel like you’re playing in front of an audience. It feels like you are all in the same spot and that energy between us is the most important thing.”
An audience member at a Spafford show is not going to hear the same song they might have fallen in love with when they heard it online or even at a show a few months prior.
Tkachyk notes that a lot of other jam bands get settled in a formula, which he says is exactly what jam music is not about. Audiences at jam-rock concerts are there to feel the music as it is being made.
“When we’re playing we’re breaking the mold of anything we’ve done before,” Tkachyk says. “It really is a jam. There’s no planning for how we’re going to get there. It just really is the art of improvisation. Our best stuff is when we have no idea what we’re going to do, it just happens—true jam.”
There are no cookie-cutter songs, no predetermined sets. Spafford experiences the music alongside their audience and is constantly seeking new ways to feel their art and give that fresh jam to their fans.
“If you’re going to jam well together then you need to feel like one big unit, not four different pieces, and that’s what works for the guys,” Johnson says. “We’re all really close and we all just kind of get each other, so it’s the five of us driving around from show to show in this van talking about who knows what and coming up with new ideas for what we can do.”
This is an exciting time for Spafford. The transition from backyard shows to packed major venues is not made easily, and the group is starting to experience the rewards of the dedication they put into their music.
“It’s like we’re starting to see the dreams we’ve all had as musicians coming to life and being fulfilled,” Tkachyk says. “We’ve all dreamed of becoming a successful band and making a name for ourselves and now it’s actually happening.”
Now Spafford is headlining the New Year’s Eve show at the Orpheum Theater and they encourage anyone looking for a night of originality and a love for jamming to join them. The future is unpredictable, but for this local band, there is undoubtedly promise and possibility on the horizon.
“It’s crazy to think that they were playing in a coffee shop just three and a half years ago,” Johnson says. “Back then it was all just a dream. But it’s grown from a free show in a coffee shop in front of five people to playing a few-thousand-person venue in Las Vegas, and we’re all figuring it out as we go.”